Ir para o conteúdo principal
Log in / Register
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Q-SYS VisionSuite Se ...
Treinamento sob demanda
Q-SYS Training
Novo no Treinamento Q-SYS?
Q-SYS Level One (Nível Um Q-SYS)
English
Spanish
French
German
Chinese(Mainland)
Chinese(HK,MACAU,TAIWAN)
Português
Q-SYS Control 101 (Controle 101 Q-SYS)
English
Spanish
French
German
Chinese
Início rápido Q-SYS
English
Spanish
Treinamento Q-SYS Quantum
Q-SYS Video 101 (Vídeo 101 Q-SYS)
English
Spanish
French
Português
Representante comercial certificado Q-SYS (Novo)
Q-SYS Reflect Enterprise Manager
English
Spanish
Treinamento de Cinema
Treinamento de Cinema 101
Q-SYS Level One For Cinema (Nível Um para Cinema Q-SYS)
Q-SYS Level Two For Cinema(Nível Dois para Cinema Q-SYS) - Curso Bridge
Treinamento da Série Mp-M
English
Spanish
Português
French
Treinamento Pid & Cxd
QSC Pro Audio Training
Novo no Treinamento Pro Audio QSC?
Line Array ativa L Class
Mesas de Som Digitais TouchMix
English
Spanish
Italian
Caixas Acústicas Ativas Série K.2
Caixas Acústicas ativas Série CP
Line Array ativa KLA
Igrejas
Aplicativo TouchMix
Bons conselhos
Live Training
Arquiteto Q-SYS (Introdução)
Q-SYS Level One (Nível Um Q-SYS)
Q-SYS Level Two (Nível Dois Q-SYS)
Padrão
Educação superior
Cinema
Q-SYS Control (Controle Q-SYS)
Fundamentos de Controle e UCI
Control 201 (Controle 201)
Treinamento para Operador certificado TouchMix
Contact
Português - Brasil (pt_br)
Deutsch (de)
English (en)
Español - Internacional (es)
Français (fr)
Italiano (it)
Português - Brasil (pt_br)
Русский (ru)
简体中文 (zh_cn)
PRO AUDIO TRAINING - CLICK HERE
Menu
Treinamento sob demanda
Fundamentos de Controle e UCI
Control 201 (Controle 201)
UCI avançado
QSC Pro Audio Training
Novo no Treinamento Pro Audio QSC?
Line Array ativa L Class
Mesas de Som Digitais TouchMix
English
Spanish
Italian
Caixas Acústicas Ativas Série K.2
Caixas Acústicas ativas Série CP
Line Array ativa KLA
Igrejas
Aplicativo TouchMix
Bons conselhos
Novo no Treinamento Pro Audio QSC?
Line Array ativa L Class
Mesas de Som Digitais TouchMix
English
Spanish
Italian
Caixas Acústicas Ativas Série K.2
Caixas Acústicas ativas Série CP
Line Array ativa KLA
Igrejas
Aplicativo TouchMix
Bons conselhos
Novo no Treinamento Pro Audio QSC?
Line Array ativa L Class
Mesas de Som Digitais TouchMix
English
Spanish
Italian
Caixas Acústicas Ativas Série K.2
Caixas Acústicas ativas Série CP
Line Array ativa KLA
Igrejas
Aplicativo TouchMix
Bons conselhos
Live Training
Arquiteto Q-SYS (Introdução)
Q-SYS Level One (Nível Um Q-SYS)
Q-SYS Level Two (Nível Dois Q-SYS)
Padrão
Educação superior
Cinema
Q-SYS Control (Controle Q-SYS)
Fundamentos de Controle e UCI
Control 201 (Controle 201)
Fundamentos de Controle e UCI
Control 201 (Controle 201)
Fundamentos de Controle e UCI
Control 201 (Controle 201)
Fundamentos de Controle e UCI
Control 201 (Controle 201)
Contact
Português - Brasil (pt_br)
English (en)
Deutsch (de)
Español - Internacional (es)
Français (fr)
Italiano (it)
Português - Brasil (pt_br)
Русский (ru)
简体中文 (zh_cn)
Log in / Register
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Fazer login com {$a}
Smoothness and Deadband
Q-SYS VisionSuite Seervision Commissioning Level 1 : Tracking Tips and Tricks
Collapse all
Expand all
Close Search Results
CERTIFICATION STEPS COMPLETED
Certification Steps Completed
1 ) Introduction
9m 41s
Course Introduction and VisionSuite Overview
3m 24s
Seervision Technology Overview
6m 17s
2 ) Hardware and Software Overview
2m 44s
Hardware and Software Overview
2m 44s
Assessment
3 ) Set up Seervision in Q-SYS Designer
4m 51s
Set up Seervision in Q-SYS Designer
4m 51s
Assessment
4 ) Setting Up Basic Tracking
5m 20s
Setting Up Basic Tracking
5m 20s
Assessment
5 ) Tracking Tips and Tricks
14m 16s
Smoothness and Deadband
12m 20s
Exclusion Zones
1m 56s
Assessment
6 ) Adding a Static-View Camera
7m 49s
Adding a Static-View Camera
7m 49s
Assessment
7 ) Multiple Presenters
5m 1s
Setting Up Multi-Presenters
5m 1s
Assessment
Video Transcript
Video Transcript
Smoothness and Deadband
12m 20s
00:06
You, everyone, and welcome to the next part of the training.
00:09
Well, we're going to be covering tracking smoothness,
00:12
of course,
00:12
Seervision tracking is very smooth and works really well
00:16
without needing to make too many adjustments.
00:19
But if you do need to make some adjustments,
00:20
you can adjust the smoothness of the tracking and also the deadband.
00:25
So let's learn about what all of that means.
00:27
I'm going to walk up to this trigger zone at the podium here.
00:30
We'll start tracking and then we'll see how it's working and maybe make a few adjustments.
00:36
So right away we can see here in the Seervision user interface,
00:39
the smoothness is set to around half. What does that look like?
00:44
Well, you can see that this lets me move around
00:46
at a speed which is pretty appropriate for a presenter
00:49
so I can move here from left to right and nothing too dramatic is happening.
00:53
The camera's not whipping around and equally I can move fairly slowly
00:58
and the camera's going to move quite nicely just to keep me in frame correctly.
01:02
But of course if I really wanted to, I could run away.
01:06
I've really moved too fast there for the camera to actually keep track of me.
01:11
Okay, so this is where we can adjust smoothness.
01:14
Of course, typically you're not likely to be running away in the middle of a presentation
01:18
unless the audience is being really mean to you.
01:21
But it's good to have these kind of controls.
01:24
So firstly, let's have a look at this section.
01:26
We've got pan smoothness and tilt smoothness,
01:30
and normally when we're doing presenter tracking, we're most concerned with pan.
01:35
So let's just let's just turn that all the way down and see what the result is.
01:41
Now, with this testing turned all the way down to zero,
01:43
we can see that even very small movements of
01:45
the presenter result in a fairly significant move from the camera.
01:50
It's really just trying to keep us perfectly centered in
01:53
the frame as described by the tracking container.
01:56
And this is not a particularly pleasant experience for the far end viewer.
02:00
It's really quite jerky and if the presenter is the kind of person who might say,
02:04
Hey, let's talk to these people over here and now,
02:06
you know, I'm going to come over here and talk to you guys
02:08
and maybe I'm just going to move from left to right like this.
02:11
The camera's moving all over the place.
02:13
On the other extreme, we can turn it all the way up to one.
02:17
Okay? And now we can see that if I move,
02:19
the camera is going to very slowly and gradually bring me back into the center.
02:24
So it's still moving whenever I move, but it's going to do it in a much slower way.
02:29
Okay, So those are two extremes,
02:31
you know, a very low tracking smoothness setting is going to mean the camera's very jerky
02:36
and here with the camera set to the maximum smoothness,
02:39
even just walking at a normal speed,
02:41
I'm almost able to move out of the frame.
02:43
So let's just set this back to the middle,
02:45
which, to be honest,
02:46
is a really good place to have.
02:47
Tracking smoothness means you can move at the fastest speed you're likely to walk at
02:51
when giving a presentation often,
02:53
but it also means that it's quite slow and graceful.
02:57
However, we've still got a small issue,
02:59
which is that any little movement,
03:01
even me just leaning from side to side,
03:04
is causing a camera movement.
03:06
The smoothness is controlling, whether it's fast or slow.
03:09
But what if we don't want any movement until we start to walk in a significant way?
03:15
This is where the deadband comes in,
03:17
and the Deadband is a feature of Seervision,
03:20
which essentially means that the presenter can move within a certain range
03:23
and not trigger any movement of the camera at all.
03:27
Let's go ahead and turn on the deadband overlay with this person in the Seervision User interface.
03:33
We're going to turn that on and we can see I've got a green box around my head.
03:37
Now. The deadband's off right now,
03:39
which means that as I move,
03:41
we're going to see that camera move straight away.
03:43
Let's turn on the deadband.
03:45
We can see the box now goes into a filled in green.
03:49
And now the presenter can move from side to side in this case,
03:53
taking a step to talk to the audience over here, maybe over here.
03:57
And it's only as they start to move out of that deadband.
04:00
You see the little green dot representing my head on the Edge of the Deadband
04:05
that it brings us back into frame.
04:07
The speed at which it does that is based on the tracking smoothness.
04:11
But the deadband means that it doesn't do it
04:13
until the presenter moves significantly away from wherever you set up the deadband.
04:19
Now the properties of the Deadband are fully adjustable.
04:23
We can increase its width and its height
04:26
and we can also move it around the screen so we can move it from left to right here
04:30
if we don't want to keep it in the center.
04:32
Now you can see if we set it up like this where it's fairly small,
04:36
the present can still make small movements.
04:38
It's when they make a medium sized movement like this
04:41
that we get a response from the camera on the opposite side of the scale.
04:45
We could set this width to be really quite large
04:48
so that it's almost covering the whole width of the frame.
04:51
Now this might be something you want
04:52
if you don't want to really point out that we're tracking the presenter too much,
04:56
you want to allow them to move around quite a long way.
05:00
And in fact I might bump that up even a little bit more.
05:02
Okay.
05:03
And no tracking really happens until they essentially start to leave the frame,
05:07
at which point it brings them back in.
05:10
Now, of course, the risk here is that they move too quickly
05:13
and they can step out of the frame before the camera has time to react.
05:17
But you could combine a large deadband with a very low pan smoothness.
05:23
So if you turn pan smoothness all the way down,
05:25
we're going to see the camera responds really quickly,
05:28
but it will only respond when I start to leave the deadband.
05:31
So now we can see that no tracking is really happening until I start to walk away
05:36
and it's going to respond quite quickly to bring me back into frame.
05:40
Of course, the best settings are usually those in the middle,
05:43
and I find that what works really well is a pan smoothness around here
05:48
and maybe a deadband that covers this sort of range here.
05:52
Let's see present to move around.
05:53
They can fidget a little bit and the camera's not going to move,
05:56
but when they actually start to walk, that's when we have an adjustment to the camera.
06:01
Now, before we move on,
06:02
let's point out the dead pan settings,
06:04
along with lots of other tracking properties,
06:07
like tracking smoothness can be saved as part of a container
06:11
if you want to change them when different containers are recalled.
06:14
Let's have a look at how that works.
06:16
When it is seeing any container,
06:18
you can see all of the Sea Vision components contained within.
06:22
Now by default.
06:23
This includes the transition speed shot properties like the framing and the relative size
06:28
and whether tracking is engaged or not.
06:31
But if we press the add component button,
06:33
we get a complete list of every Seervision attribute that can be added to this container,
06:39
including the deadband.
06:42
We could also add tracking smoothness as a component inside of this container.
06:48
Now,
06:49
this means that the deadband and the tracking smoothness properties
06:52
will get recalled when the container is recalled,
06:55
overriding whatever's been set in the Tracking Settings panel.
06:59
This means you can have different deadband and
07:02
different smoothness settings for different containers,
07:04
maybe to be used with different trigger zones.
07:07
If you'd rather these settings be set globally,
07:10
don’t add them to the container and Seervision
07:12
will use whatever is set in the Tracking Settings panel.
administration
Resumo de retenção de dados