Transcript
 
            ACPR v3.0 Update             
            4m 27s             
          00:06
         Chances are good that if you don’t already use the Automatic Camera Preset Recall plugin,
    00:11
         that you’ve at least heard about it and think,
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         “hey, that sounds pretty cool.
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         Well, it is, because it uses audio in the room to determine which camera preset to use.
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         And it’s even cooler now.
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         I want to tell you about some new features we’ve added as of version 3.
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         First, we now support the Q-SYS NM-T1 tabletop conferencing microphone,
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         and the Audio Technica ATND1061 Dante enabled microphone in addition to the Sennheiser TCC2
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         and discrete microphones that were supported before.
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         The second new feature you may have already noticed-
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         these new audio pins.
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         Now we can route the microphone’s audio directly into the Plugin.
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         The NM-T1’s audio is wired just like discrete mics,
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         but we’ve added a tab here in the plugin to make it easy to setup.
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         We can tell the plugin to reference it using it’s Script Access Code name.
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         This Code Name is for external control and scripting purposes
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         and we can edit it here in the Properties panel.
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         Next, If we’re using the AT
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         or Sennheiser mics we can now just enter their multicast IP  
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         information here in the Microphone tab.
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         This means, that in the case of the TCC2,
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         we don’t need to use its Plugin anymore to access it’s coordinate data.
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         Also in the “Microphone” tab, we’ve added
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         -new PTZ controls that let us adjust the active camera right here in the plugin.
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         -We have-new Active buttons here that lets us,
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         not only activate a zone before we define a range,
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         …but we can also control these to deactivate  
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         zones if we don’t need them based on the current setup of the room.
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         -We can assign labels to our zones now.
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         -and we can tell Q-SYS to “Prefer the Secondary Camera” for a zone using this new button.
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         This could be beneficial if your primary and secondary cameras aren’t right next to each other
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         and maybe you prefer the view of the secondary camera for that particular zone.
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         If we enable the Expert Controls tab we’ll see  
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         some new Threshold detection controls to fine tune our mic,
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         as well as the far-end audio.
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         If you were using a previous version of the plugin,
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         we’ve made it really easy to transfer all of your current settings into the new version.
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         Just copy the Code name from its Properties panel here, and paste it down here in the new plugin.
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         Hit Copy, and we get confirmation that everything successfully transferred over.
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         This includes the Script Access code names you’ve already assigned for your cameras and routers.
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         Remember, if you’re configuring a new plugin from scratch
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         you’ll need to be sure to assign those Code names here under Script Access.
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         Finally, we’ve added Crossover Zones:
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         Let’s say I’m sitting in a position that lies between 2 microphones.
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         The plugin considers the mic with the loudest signal to be active,
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         and it will recall whichever camera preset that points to that mic’s active zone 
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         So if two mics are active back and forth in this crossover zone
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         we could have them both trying to recall two different camera presets.
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         To keep that from happening, when we’re using supported Sennheiser or AT beamforming mics,
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         the last 4 zones of the plugin are now reserved for these “Crossover zones”.
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         These zones have two separate sets of Horizontal and Vertical angles that we can input.
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         This will let us copy and paste the angle settings from both of the mics
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         that are hearing this zone equally and use them instead in this new crossover zone.
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         This is telling Q-SYS “OK.
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         this crossover zone we’re creating is going to take over when this back and forth issue happens”
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         We’ll grab these PTZ coordinates from Camera 1 and copy them here.
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         Then we can say that here we want to use Camera 1.
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         And let’s select Microphone 2 as the active mic.”
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         And we can name this new zone here.
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         Now, once we deactivate the original, overlapping zones,
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         we can let this new Crossover Zone handle our In-between area.
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         Well, that’s a lot of great new stuff.
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         Thanks for watching. See you next time.
    
