Salta al contenido principal
INGRESAR / REGISTRAR
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Q-SYS VisionSuite AC ...
Capacitación a la carta
Q-SYS Training
¿Es la primera vez que usa la capacitación del sistema Q-SYS?
Q-SYS Level One (Nivel Uno)
English
Español
French
German
Chinese(Mainland)
Chinese(HK,MACAU,TAIWAN)
Portuguese
Q-SYS Control 101
English
Español
French
German
Chinese
Q-SYS VisionSuite Training (New)
English
Spanish
Inicio rápido en Q-SYS
English
Español
Entrenamiento Q-SYS Quantum
Q-SYS Video 101
English
Español
French
Portuguese
Certificado de profesional de ventas de Q-SYS (Nuevo)
Q-SYS Reflect Enterprise Manager
English
Español
Capacitación en cine
Capacitación en cine 101
Q-SYS Level One For Cinema (Nivel uno de cine)
Q-SYS Level Two For Cinema (Nivel dos de cine) - Curso puente
Capacitación en la Serie MP-M
English
Español
Portuguese
French
Capacitación en PLD/CXD
QSC Pro Audio Training
¿Es la primera vez que usa la capacitación de QSC Pro Audio?
Arreglo lineal activo L Class
Mezcladores digitales TouchMix
English
Español
Italian
Altavoces activos de la Serie K.2
Altavoces activos de la Serie CP
Arreglo lineal activo KLA
Lugares de culto
Aplicación TouchMix
Consejos sobre el sonido
Live Training
Q-SYS Architect (Introducción)
Q-SYS Level One (Nivel Uno)
Q-SYS Level Two (Nivel Dos)
Estándar
Educación superior
Cine
Q-SYS Control
Fundamentos de Control y UCI
Control 201
Q-SYS VisionSuite Training (New)
English
Spanish
Capacitación para operadores certificados de TouchMix
Contacto
Español - Internacional (es)
Deutsch (de)
English (en)
Español - Internacional (es)
Français (fr)
Italiano (it)
Português - Brasil (pt_br)
Русский (ru)
简体中文 (zh_cn)
PRO AUDIO TRAINING - CLICK HERE
Menu
Capacitación a la carta
Q-SYS Training
¿Es la primera vez que usa la capacitación del sistema Q-SYS?
Q-SYS Level One (Nivel Uno)
English
Español
French
German
Chinese(Mainland)
Chinese(HK,MACAU,TAIWAN)
Portuguese
Q-SYS Control 101
English
Español
French
German
Chinese
Q-SYS VisionSuite Training (New)
English
Spanish
Inicio rápido en Q-SYS
English
Español
Entrenamiento Q-SYS Quantum
Q-SYS Video 101
English
Español
French
Portuguese
Certificado de profesional de ventas de Q-SYS (Nuevo)
Q-SYS Reflect Enterprise Manager
English
Español
Capacitación en cine
Capacitación en cine 101
Q-SYS Level One For Cinema (Nivel uno de cine)
Q-SYS Level Two For Cinema (Nivel dos de cine) - Curso puente
Capacitación en la Serie MP-M
English
Español
Portuguese
French
Capacitación en PLD/CXD
QSC Pro Audio Training
¿Es la primera vez que usa la capacitación de QSC Pro Audio?
Arreglo lineal activo L Class
Mezcladores digitales TouchMix
English
Español
Italian
Altavoces activos de la Serie K.2
Altavoces activos de la Serie CP
Arreglo lineal activo KLA
Lugares de culto
Aplicación TouchMix
Consejos sobre el sonido
¿Es la primera vez que usa la capacitación de QSC Pro Audio?
Arreglo lineal activo L Class
Mezcladores digitales TouchMix
English
Español
Italian
Altavoces activos de la Serie K.2
Altavoces activos de la Serie CP
Arreglo lineal activo KLA
Lugares de culto
Aplicación TouchMix
Consejos sobre el sonido
¿Es la primera vez que usa la capacitación de QSC Pro Audio?
Arreglo lineal activo L Class
Mezcladores digitales TouchMix
English
Español
Italian
Altavoces activos de la Serie K.2
Altavoces activos de la Serie CP
Arreglo lineal activo KLA
Lugares de culto
Aplicación TouchMix
Consejos sobre el sonido
Live Training
Q-SYS Architect (Introducción)
Q-SYS Level One (Nivel Uno)
Q-SYS Level Two (Nivel Dos)
Estándar
Educación superior
Cine
Q-SYS Control
Fundamentos de Control y UCI
Control 201
Fundamentos de Control y UCI
Control 201
Fundamentos de Control y UCI
Control 201
Fundamentos de Control y UCI
Control 201
Fundamentos de Control y UCI
Control 201
Fundamentos de Control y UCI
Control 201
Contacto
Español - Internacional (es)
English (en)
Deutsch (de)
Español - Internacional (es)
Français (fr)
Italiano (it)
Português - Brasil (pt_br)
Русский (ru)
简体中文 (zh_cn)
INGRESAR / REGISTRAR
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
Logearse con {$a}
How to Enable Auto-Framing
Q-SYS VisionSuite ACPR Commissioning Level 1 : Auto-Framing
Collapse all
Expand all
Close Search Results
CERTIFICATION STEPS COMPLETED
Certification Steps Completed
1 ) Overview
2m 11s
Introduction to ACPR
2m 11s
2 ) Preparation and Wiring
41m 15s
Planning the Room
7m 7s
Equipment Selection
9m 52s
Camera Signal Path
13m 3s
Properties and Wiring
11m 13s
Assessment
3 ) ACPR Control Panel
45m 53s
Global Camera Setup
12m 15s
Default Home Position and Expert Controls
13m 17s
Microphone and Zone Setup
9m 9s
Microphone Angles and Crossover Zones
11m 12s
Assessment
4 ) Auto-Framing
6m 38s
Intro to Auto-Framing
3m 22s
How to Enable Auto-Framing
3m 16s
5 ) Field Commissioning
23m 32s
Auto-Framing and Presenter Tracking
3m 29s
Build an Interface
9m 46s
Practical Deployment
10m 17s
Assessment
Video Transcript
Video Transcript
How to Enable Auto-Framing
3m 16s
00:06
Let’s take a look at how to configure the AutoFraming
00:09
feature on your Q-SYS NC Series cameras.
00:11
In our camera component we’ll go to the Auto Framing tab.
00:14
We can Enable the feature here.
00:16
And, for testing, we can enable the Outline Faces feature
00:21
which gives us a green rectangle around the faces of the people in our shot...
00:25
that’s great for configuring,
00:27
but make sure you disable it before deploying so the far end participants don’t see it.
00:32
Frame Padding lets us decide how much space is left around the faces that are detected.
00:38
A lower value on this scale from 1 to 15 gives us a tighter crop,
00:43
while a higher value produces a looser crop, or more space around the faces.
00:49
Deadband will adjust the number of members in your zombie rock group,…
00:55
and it also helps determine how much wiggle room our faces have
00:58
in the frame before a reframe is triggered.
01:01
This is another sliding scale from 1-15 where 1 indicates very little tolerance,
01:07
or a very tight area that a face can move around in before it reframes to a wider shot,
01:13
and 15 would be lots of tolerance where faces can move around more without triggering a wider shot.
01:20
These numbers are subjective,
01:22
but generally speaking, if you're going to use a low-value for frame padding to get a tight crop,
01:27
you probably also want to use a lower-value for your deadband setting
01:32
to make sure the camera will keep them in frame if they move around.
01:35
On the flip-side, a larger frame padding,
01:38
like 10 or 12 is great for a wider shot,
01:42
which means you'd probably also want a larger deadband value as well,
01:46
since you don't need to be too reactive to anyone moving around within that shot.
01:51
You could even set up snapshots so you can toggle between different options."
01:56
We can set the Transition speed here.
01:58
So you can choose between a slower,
02:00
more deliberate pan all the way up to an instant snap.
02:04
As you can see, some of these settings are just personal preference for fine-tuning.
02:09
Let’s set this one to Instant.
02:12
And you could use the Face Count feature for any number of things,
02:15
like configuring some automation that says
02:18
“when no faces are detected for a certain amount of time”,
02:21
let’s display a graphic that says “We’ll be right back”.
02:25
it’s important to remember that, best case,
02:28
your deployments would take advantage of multiple Primary and Secondary cameras,
02:33
and use our ACPR plugin to automatically toggle between the appropriate camera shots.
02:39
This prevents the far-end caller from ever seeing the cameras moving into position.
02:44
If this relates to you,
02:45
you’ll be glad to know that Auto Framing can now be
02:48
enabled in ACPR independently for each zone AND,
02:53
the plug in will make sure that Auto Framing has taken place before it switches cameras.
02:58
Otherwise, we’ll switch to the new camera view, and then Auto Framing will happen afterwards.
03:05
However, smaller deployments might only have access to a single PTZ camera,
03:10
and it's unavoidable to show that camera movement to the far end.
03:15
In that case, you might want to consider disabling Auto-Framing while the camera is moving,
03:20
which you can do with a clever little trick like this,
03:23
using some control pins and control function components.
03:28
So give it a try. You’re going to love auto framing.
03:31
Thanks for watching.
administration
Resumen de retención de datos