Gain Sharing Mixer Setup

Video Transcript

0:08
Welcome. Let’s talk about a few of the automatic mixers that are built into the Q-SYS Designer software,
0:14
specifically the Gain-Sharing Automatic Mixer and the Gated Automatic Mixer.
0:18
Now both of these mixers adjust their output gain to
0:22
your desired level by varying the attenuation of their inputs. Now this can be useful in a lot of situations
0:28
when you may have multiple people speaking using different microphones,
0:31
and is a lot easier than having someone manually adjusting those mic levels.
0:35
Because this is voice activated, it ensures unity gain at all times. So let’s set up a system.
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We’re going to click on the Schematic Library, go under Audio Components, Mixers,
0:48
and drag a Gain-Sharing Automatic Mixer into our Schematic.
0:52
Now since we don’t have anyone actually talking into microphones we’re going to duplicate that effect
0:56
by using some Pink Noise Generators to represent human voices.
1:00
So you can grab those from Audio Components, Test and Measurement, Pink Noise
1:04
and I’m going to make four copies of these to represent four people that we’ll be using in this design.
1:11
Now if you hit the space bar you can rename them – so I’m going to give each one of them a name so
1:16
that I can remember them a little bit easier down the line when we are showing you how this works.
1:22
Those are some good random names right there.
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And of course if you want to, like any component, you can change the colors of these,
1:28
that might help you remember later on which one you’re affecting.
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Alright now the next thing that we’re going to do is take a look at the Gain-Sharing Automatic Mixer component.
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Now over here in its Properties Panel we’ll set the "Channels" field to 4,
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‘cause that’s how many microphones we’re using today.
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You can see now there are only going to be four input pins on the Mixer.
1:50
We’re going to wire our four speakers to these input pins.
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John will be in input pin 1, Paul is input pin 2, George is input 3, Ringo is input 4.
2:00
Now you may notice there are actually five output pins – that’s because each input has a direct line out,
2:06
and the last output is the mixed line, that’s the one that we’re going to be wanting to use.
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Let’s take a look at the functions on this mixer over here in the Properties Panel.
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Like any component you can change the color by using this Fill option,
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and we’ve already adjusted the Channels field to change the number of inputs.
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We can also choose which outputs are available,
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let’s change ours to Mix Only since that’s the output that we want to use.
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Next is the Side Chain Filter – this will open or close another window in your Mixer’s Control Panel
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that lets you choose what bandwidth and frequency you’re looking for in order to open the gate on someone’s mic,
2:40
we’ll set it to Yes just so that we can take a look at that later.
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And lastly there’s "Detector Time," this sounds like Sherlock Holmes’ battlecry,
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what this does is it looks for momentary non-vocal spikes in the signal that
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might accidentally open the gate when it shouldn’t – this could be a random digital blip
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or maybe a person coughing – that might otherwise make the mixer think that someone’s talking
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and open the gate, well Detector Time lets you fine-tune how long a noise has to be in order for it to count.
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You can select 10 milliseconds, 20 milliseconds, you can adjust it however you like or select Use Control.
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That will give you another knob in the Setup section of your Control Panel that lets you pick it manually.
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So let’s see this Mixer in action. We’re going to load our design to the Core,
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you could go to File, Save to Core and Run, or you can use F5 – that’s your keyboard shortcut.
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Now once we get there, we are going to double-click on each of our four presenters
3:31
so that we have access to their levels, and maybe we can mute them as well.
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We’re going to give them a variety of volumes, let’s say that Paul speaks at about -10 dB
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George speaks at about -15 dB, John’s, let’s put him at -20 dB, and Ringo’s really loud,
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we’ll put him all the way up to positive 1 dB.
4:00
Alright, why don’t we put a pause right here, and you can go on to the next part whenever you’re ready.